Deadline and other media are reporting that the first episode of season nine of Two and a Half Men will bring us the death of character Charlie Harper (played by the now spectacularly fired Charlie Sheen) and the introduction of a replacement character (whoever that is) played by Ashton Kutcher.
Now, I'm certainly not an expert in the entertainment business, and I don't have a hit show on any network, but it seems to me that it might be a better idea not to kill off anybody, even someone who has been as rude to you as Mr. Sheen has been to Chuck Lorre. One never knows what might happen in a year or two. Wouldn't it be wiser to send Charlie Harper off to rehab--a looong stint in rehab? And then maybe to seek his fortune in New York as a composer? Or marry him off to Rose (played by Melanie Linsky) and send them off to live in Melanie's house? That way we could still see Rose on the show and get Charlie's news. Ms. Linsky's great, by the way. (Or the couple could go to London, or whatever). And if the day should come when all is forgiven, and that day just might come, Charlie Sheen could return. But if he's killed off, writing him back into the show becomes more difficult. In addition, writing about death on a sitcom is difficult unless the actual actor passes on, as happened with the late John Ritter. I have to say that the cross-over episode featuring "CSI" on "Two and a Half Men" was not one of my favorites. Even the episode featuring Emilio Estevez (Charlie Sheen's brother) wasn't all that amusing. In fact, the writers took that opportunity to make the Charlie character think a little bit about his quality of life and about mistakes he had made, although, granted, he didn't actually make a lot of longterm changes.
I realize Chuck Lorre likes to push boundaries, but death really does need to be handled tastefully. The viewers already know about the big flap between him and Mr. Sheen. Killing Charlie Harper off would just seem like vindictiveness--as if Mr. Lorre can finish Mr. Sheen off in this way so why not take the opportunity? If I were writing the show, I'd think about methods to use Mr. Sheen's departure that offer opportunites to open up possibilities for "Two and a Men,"not close its storytelling arcs. And I'd want to look magnanimous. And winning.
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