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September 2007

Ally McBeal

I've published "Power of Attorney." Here's the abstract.

No doubt exists that the drama/farce Ally McBeal, which ran on the Fox Television Network from 1997 to 2002, was a phenomenal success, at least during its middle years (1998-1999). It sparked numerous fan websites in several countries including one devoted to “fan fiction” (a genre in which devotees of a television series or film try their hands at writing scripts), various product spinoffs,a series spinoff (Ally, a thirty minute version that featured only vignettes, no legal drama) and even a Time magazine article that seriously considered whether Ally represents “the end of feminism. Years after the show went off the air, its influence continues. The popular prime time medical show “Grey's Anatomy” has spawned a spin-off which is already drawing fire for its emphasis on protagonists who are “lovelorn, sex-starved and prone to public displays of disaffection.” The reason, says writer Alessandra Stanley, is traceable directly to Ally McBeal, a show which emphasized a heroine who “marked a turning point in the devolution of women's roles in television comedy — the moment when competent-but flaky hardened into basket case.”

What made this thin, goofy, self-absorbed character so popular, at least before rumors and scandal about anorexia and drug use made the show more famous for off-screen shenanigans than on-screen accomplishment? Why was she so powerful a figure that a major U.S. news magazine devoted an important story to discussing her impact? I suggest that one of the major factors in Ally's rise was the fact that writer/producer David E. Kelley cast her as an attorney, the professional that everyone loves to hate, but also a woman who is, to be honest, fairly bad at her job, at least in the first three years, and arguably during her entire (fictional) career. As a woman attorney, Ally fits within the tradition of female lawyers who are either good at their jobs, or good at their relationships, but not both, and in Ally's case, neither. Further, Ally's impact is such that commentators both in the popular media and in legal academia continue to refer to her. She, and her series, have become “memes” — a character whose mention immediately sparks all sorts of associations. Kelley's willingness to test the boundaries of the law through storylines also ensures that the episodes of all the shows with which he is involved (not just Ally McBeal) retain their freshness.

Download the entire paper from SSRN here.

Call for Papers

UCLA School of Law, Columbia Law School, University of Southern California Center for Law, History & Culture, and Georgetown University Law Center invite submissions for the sixth meeting of the Law & Humanities Junior Scholar Workshop to be held at UCLA Law School in Los Angeles, CA on June 8 & 9, 2008.

PAPER COMPETITION:

The paper competition is open to untenured professors, advanced graduate students and post-doctoral scholars in law and the humanities; in addition to drawing from numerous humanistic fields, the Workshop welcomes critical, qualitative work in the social sciences.  Between five and ten papers will be chosen, based on anonymous evaluation by an interdisciplinary selection committee, for presentation at the June Workshop.  At the Workshop, two senior scholars will comment on each paper.  Commentators and other Workshop participants will be asked to focus specifically on the strengths and weaknesses of the selected scholarly projects, with respect to subject and methodology.  Moreover, the selected papers will then serve as the basis for a larger conversation among all the participants about the evolving standards by which we judge excellence and creativity in interdisciplinary scholarship, as well as about the nature of interdisciplinarity itself.

Papers should be works-in-progress between 10,000 and 15,000 words in length (including footnotes/endnotes), and must include an abstract of no more than 200 words.  A dissertation chapter may be submitted but we strongly suggest that it be edited so that it stands alone as a piece of work with its own integrity.  A paper that has been submitted for publication is eligible as long as it will not be in galley proofs or in print at the time of the Workshop.  The selected papers will appear in a special issue of the Legal Scholarship Network; there is no other publication commitment.  The Workshop will pay the travel expenses of authors whose papers are selected for presentation.

Submissions (in either Word or Wordperfect, no pdf files) will be accepted until January 8, 2008, and should be sent by e-mail to:

Center for the Study of Law and Culture

culture@law.columbia.edu

Columbia Law School

435 W. 116th Street

New York, N.Y. 10027

Please be sure to include your contact information.  For more information: Manissa Maharawal, 212.854.2511 or culture@law.columbia.edu.  The full text of the Call for Papers is available at: www.law.columbia.edu/center_program/law_culture.

[Cross posted to the Law & Humanities Blog; Law & Magic Blog]